happybadger [he/him]

“But you didn’t” is such a powerful idea in art. The only reason European artists aren’t stuck in strict biblical representation with church-approved colours is that people pushed boundaries. The modernists rejected boundaries altogether and embraced pure creativity to such a degree that their own audience couldn’t recognise it as art. I’ve seen that same Malevich painting in the MoMA and that’s revolution. That’s a communist rebelling against centuries of only realistic paintings of idyllic landscapes and aristocratic portraits being taken seriously. He’s saying a red square is art for the sake of creative expression, an idea that would mature into “common people are alienated from art which is restrained to a professional class. Everyone should be entitled to its production and consumption” with proletarian art. He destroyed the idea of subject as a model of patronage as much as he did as a creative restraint.

Art should do that. It shouldn’t just have a message, but a call to some greater action that enables better art. We wouldn’t have modern music without Wagner violating the tonic as the most sacred principle of European music. Modern music, and especially classical music, is fucking beautiful in completely new ways because someone had the courage to reject centuries of what Serious Adults said was beautiful.

I use two definitions for the two broad intellectual trends in art over the past century:

Robert Hughes on modernism- “the shock of the new”

David Harvey on postmodernism- “The reduction of experience to a series of pure and unrelated presents”

AI fundamentally can’t create modernist art because it recombines what already exists into a crude 3rd stage simulacrum. You’ll never see genuine brilliance from how we understand AI. It’s incapable of creating a new perspective, new consonance out of dissonance, or a societal transformation through art. If the world is a shared historical trajectory where we’re discovering the same common thing, AI doesn’t participate in that. It has no investment in the nature worship of art nouveau or the class politics of constructivism or the physics of cubism. It can’t overcome the 1936 standard of Walter Benjamin’s The Work of Art in the Age of Mechanical Reproduction when he was only describing crude printing presses.

AI can create postmodern art but only because postmodernism is ideologically, historically, and financially flattened into artists as bourgeois bloggers. If the world is nothing but commodified individual commentary in a marketplace of ideas with the most valuable commentary coming from wealthy failchildren, AI is a wealthy failchild that can also regurgitate what it learned from scraping art school data while still staying tailored to market preferences.

I don’t personally value the latter or see it as anything more than a counterrevolution against the future we lost in the mid-20th century. There’s no reason I’d ever pay for an AI image if I can generate a more personally-tailored version instantly for free using the same IP it recombined to shit out. It’s inherently Thomas Kinkade kitsch but somehow less valuable because they don’t even pretend to involve creative labour in it.

The only good work environment I’ve had was a municipal parks department. Not even unionised, paid $17/hour for the same work I could get $25-35/hour for at a private landscaper, no benefits for seasonal workers and few super-competitive permanent roles. But in decoupling from the profit motive, production became based on need rather than financial goals. I worked so much harder than I would at a private company because building a public pollinator garden is ecologically critical work that educates people on important things. Clearing snow at 4am in -10c weather was something I did until the point of exhaustion because I use those same bike trails and sidewalks the moment I get off work and each bike is one less car that might kill my neighbours. I got to do eco-Marxism without having to use any of the vocabulary alongside a mixed bag of liberals and radicals who intuitively understood those ideas through observation.

With strong unions and outright syndicalism, that kind of nuance returns to the incentive structure. It’s productivity based on socio-ecological need instead of production for profit. We cared about getting people their 40 hours per week and if you came up 5 hours short you’d get paid to study and design sustainable landscapes used by your neighbours. If you needed time off you got it, if you needed a break you took it. You got to spend all day making beautiful de-alienating things for your coworkers, wildlife, and community. When my neighbours hold the power instead of owners and shareholders, it’s so much easier to convince them that doing A instead of B will improve our shared conditions.

The largest arboriculture company here is employee-owned but not unionised at a national level. Their stock isn’t publicly traded and each year the permanent employees get to buy shares with a certain percentage of their income. That access to stock options increases with your rank. While they’re the only arborists I’d want to work for and set the industry standards for safety, I don’t like two things about that:

1. Seasonal employees don’t get stock options, nor do new employees without like a year under their belt. This concentrates the internal wealth of the company in upper management and senior employees, making the incentive structure represent them instead of Joe Schmuckatelli risking their life 30m up with a chainsaw.

2. The incentive structure is the same as a public company as a result of that. Make number go up so you get dividends at the end of the year. The only way to make number go up is to do more with less. Productivity is in direct contrast to the welfare of workers because they don’t have a union to represent their safety or rights. If I get a small bonus every year from dividends but I spent that year risking my life unnecessarily to boost the stock price, it’s just gambling on Russian roulette.

Nature designed this creature to receive scritches.